Robert Baratheon (Game of Thrones): ESTP

Dominant Extroverted Sensing [Se]: Robert is concerned with the pleasures of the moment. He doesn’t actually want to rule. He enjoys the fun parts of being king, but has little patience for the day to day responsibilities that go along with it. His main interests in life include drinking, hunting, and sex. “I’m trying to get you to run my kingdom while I eat, drink and whore my way to an early grave.” Robert’s lavish tastes and tendency to spare no expense during tournaments put the kingdom in a great deal of debt, which then fell into the hands of Ned Stark, who simply couldn’t believe how much money they owed out. Robert places a lot of value on physical strength and being able to defend oneself, and is openly disgraced to learn that Joffrey allowed himself to be disarmed by a little girl. He enjoys fighting and handling weapons, and when Ned tells him to leave the jousting for the younger men, Robert says “Why, because I’m king? Piss on that. I want to hit somebody!” He also tend to take rash physical action in the heat of the moment, and strikes his wife without thinking in a fit of rage after she insults him.

Auxiliary Introverted Thinking [Ti]: Although he is ruler of the Seven Kingdoms, Robert doesn’t have much patience for running things. He doesn’t enjoy organizing things and people, and prefers to delegate those tasks to others while he goes out drinking or hunting. Robert’s sense of logic is internal and he has a very good sense of humor. He has a good grasp on irony and is able to make jokes even in the most dire of situations. Robert is blunt, sometimes brutally so, and he can be very harsh to those he deems incompetent (such as Lancel). Robert assesses situations and comes to his own rationales. He’s able to detach from his emotions in order to make decisions. There are no subjects that can’t be discussed. While Ned is horrified at the idea of killing Daenerys, Robert believes it’s the only thing to do. Yes, Daenerys is practically a child, but she has to die because she is a potential threat. Case closed. While Cersei is demanding that Arya’s wolf be killed for biting Joffrey, Robert has little interest in the conflict. They’re kids! Kids fight! Let’s just each discipline our own kids the way we each see fit and be done with it! He doesn’t actually want to sentence the wolf to death, but…

Tertiary Extroverted Feeling [Fe]: … he also sometimes makes decisions based on what other people say. He doesn’t want to hear Cersei carrying on anymore, so, fine, the wolf dies. He doesn’t like settling conflicts and dislikes the tension that exists between his family and the Starks. He wants Daenerys dead because he spent his youth attempting to overthrow the Targaryens, and he’ll be damned if he allows Daenerys to return to Westeros to take back the kingdom. On his deathbed, he takes back his decision to have Daenerys killed after heeding Ned’s advice. When Cersei wants Ned punished for Catelyn taking Tyrion prisoner, Robert refuses to take action until he hears Ned’s side.

Inferior Introverted Intuition [Ni]: Because he is so preoccupied with enjoying his life, Robert gives little thought to the future. All he knows is that he wants to keep the Iron Throne, but he gives little thought to the steps he needs to take to ensure he remains on it. Instead, he tends to leave the grunt work to his small council instead. He doesn’t foresee Sometimes, Robert gets fixated on one idea. After learning of Daenerys’ pregnancy, he is able to (accurately) predict that someday she will cross the Narrow Sea in a bid to take back the Iron Throne, and Robert wants to make a preemptive strike by assassinating her before she ever gets the chance to try.

Enneagram: 8w7 7w8 3w2 Sx/So

Flynn Rider/Eugene Fitzherbert (Tangled): ESTP

Dominant Extroverted Sensing [Se]: Flynn sees opportunities everywhere and doesn’t hesitate to act on them. He enjoys adventure and has no trouble taking risks that put him in dangerous situations. He’s a thief who doesn’t think twice about stealing the tiara of the lost princess from the palace. Flynn is quick, agile, and uses his keen awareness of his environment to evade capture. When he’s being pursued by the guards and comes across Rapunzel’s tower, he climbs it without hesitation to hide out there. He improvises in the moment and gives little thought to the potential consequences. Flynn sees things for exactly what they are without reading into them. When Rapunzel says, “Something brought you here, Flynn Ryder. Call it what you will, fate, destiny…” Flynn cuts her off simply by saying “A horse.” Flynn thinks quickly in the moment, using a nearby shard of a mirror to cut Rapunzel’s hair, thus defeating Mother Gothel.

Auxiliary Introverted Thinking [Ti]: If it makes logical sense to Flynn, he does it, regardless of who gets hurt in the process. His priority is to steal the tiara without getting arrested. As he’s being chased by the guards, he uses the Slabbington brothers to give him a boost, and leaves them behind to get caught. Flynn isn’t lacking in the wit department, and uses this both in his sense of humor, and in his various schemes. He’s a rational thinker and He’s able to come up with creative solutions to his problems on the fly without planning ahead (cutting Rapunzel’s hair).

Tertiary Extroverted Feeling [Fe]: When Rapunzel attempts to extort him into taking her to see the floating lights, he tries to play on her emotions to get her to change her mind and return home. He knows how to manipulate her, and plays on her fear and her guilt in order to get her to return to her tower. Flynn pretends to be encouraging her to rebel, but he’s really trying to make her feel even worse about leaving Mother Gothel by going on and on about how Rapunzel will be “breaking her heart.” When that doesn’t work, he decides to take Rapunzel to an establishment filled with customers who are a bit rough around the edges. Flynn cares about what others think of him and invents a false identity in order to appear more impressive than he actually is (“A fake reputation is all a man has.”)

Inferior Introverted Intuition [Ni]: Flynn wants to be rich and have adventures and his entire life has been in pursuit of these two desires. Although he knows that he wants to have a lot of money and visualizes himself living in a castle, he doesn’t exactly have a solid plan to get himself there. Instead, he just steals valuable objects in order to fund his dream, but quickly abandons his ambitions in favor of a “new dream” shortly after meeting Rapunzel.

Enneagram: 7w8 3w2 8w7 Sp/Sx

Aladdin (ESTP): Aladdin

Dominant Extroverted Sensing [Se]: Navigating his physical environment is a piece of cake for Aladdin. He’s aware of his surroundings and uses them to escape the guards who are after him. Aladdin is able to jump out of buildings and land on two pieces of rope, which he skis down. He uses a sheet he finds to disguise himself. He even catches his fallen loaf of bread without looking. When guards are coming at him from both sides, he jumps up, causing them to all crash into each other. He manages to use a carpet he finds as a parachute to jump out of a window and escape once and for all. Aladdin always remains ahead of his adversaries and is great at improvising in the moment. He successfully dodges every obstacle in his environment and uses what’s available to him to sabotage the guards who pursue him. Aladdin readily takes risks, whether it’s jumping off buildings, pole vaulting across them, or facing Jafar with no plan whatsoever. He appreciates the beauty and wonder in the world and seeing what it has to offer. He enjoys experiencing all that’s out there, and wants to show it all to Jasmine.

Auxiliary Introverted Thinking [Ti]: Aladdin is skilled when it comes to hatching plans on the fly. If one scheme doesn’t work, he simply tries something else. He’s a fast thinker and can usually spot the best solution to a problem with ease. Aladdin often utilizes his quick mind in his sense of humor. He’s able to trick the Genie into helping him without actually using a wish. When he notices that Jasmine has been caught stealing, he immediately jumps in to help by making up a story about her being his “crazy” sister to keep her from getting in trouble. Aladdin is able to deduce that Jafar is hypnotizing the sultan with his cobra staff, and he leaps into action (Se) by breaking it, thereby putting an end to Jafar’s control over him. Aladdin’s logic is internal and he has his own ideas about what’s rational. Aladdin also has a knack for finding loopholes and ways around the rules. He can’t wish for love, but he can wish to become a prince so he can marry the princess!

Tertiary Extroverted Feeling [Fe]: Although he survives by stealing food, he only does it because he needs to eat to live. Aladdin cares very much about other people, and makes sacrifices for others – even perfect strangers. After everything he went through to steal it and to evade the guards afterwards, Aladdin notices two children digging through the trash for food, and decides to give his half of the loaf to them. When he notices one of Princess Jasmine’s potential suitors getting ready to whip the same kids, Aladdin steps in and stands up for them. He’s good at understanding other people and uses his insights to get what he wants (manipulating Jafar into using his final wish to become a genie). Aladdin cares about what other people think of him and it bothers him that other people only view him as a “street rat.” When trying to make a decision, Aladdin wants to hear other people’s opinions. Genie, what would you wish for? Aladdin often struggles with morality. He thinks he needs to be someone else to win the heart of the princess, and often chooses to lie instead of just being himself. He nearly goes back on his promise to free the Genie because without the Genie, he’s just Aladdin.

Inferior Introverted Intuition [Ni]: Considering the consequences of his actions isn’t Aladdin’s strong suit. Aladdin continues to lie, even though doing so gets him into trouble. He also steals, knowing that the guards will chase and try to capture him. Aladdin believes that one day, things will change for him. He visualizes himself becoming rich, living in the palace, and never having any problems in his life – though he doesn’t actually have a plan to make that happen. He just believes it will become a reality.

Enneagram: 7w6 3w2 8w9 Sx/Sp


Aladdin: Gotta keep…one jump ahead of the breadline
One swing ahead of the sword
I steal only what I can’t afford
That’s everything!

Aladdin: Gotta eat to live, gotta steal to eat
Tell you all about it when I got the time!

Aladdin: One jump ahead of the slowpokes
One skip ahead of my doom
Next time gonna use a nom de plume.
One jump ahead of the hitmen
One hit ahead of the flock
I think I’ll take a stroll around the block.

Aladdin: One jump ahead of the hoofbeats!
One hop ahead of the hump!
One trick ahead of disaster
They’re quick, but I’m much faster

Aladdin: Here goes, better throw my hand in
Wish me happy landin’
All I gotta do is jump!

Aladdin: Riffraff, street rat.
I don’t buy that.
If only they’d look closer
Would they see a poor boy? No siree.
They’d find out, there’s so much more to me.

Aladdin: Someday, Abu, things are gonna change. We’ll be rich, live in a palace, and never have any problems at all.

Proprietor: You’d better be able to pay for that.
Jasmine: Pay?
Proprietor: No one steals from my cart!
Jasmine: Oh, I’m sorry, sir. I don’t have any money.
Proprietor: Thief!
Jasmine: Please, if you let me go to the palace, I can get some from the Sultan.
Proprietor: Do you know what the penalty is for stealing?
[He takes her hand and pins it down on the table, intending to chop it off]
Jasmine: No, no, please!
[The sword drops, but his hand is stopped by Aladdin]
Aladdin: Thank you, kind sir. I’m so glad you’ve found her. I’ve been looking all over for you.
Jasmine: [whispering] What are you doing?
Aladdin: Just play along.
Proprietor: You know this girl?
Aladdin: Sadly, yes. She is my sister. She’s a little crazy.
Proprietor: She said she knows the Sultan!
Aladdin: She thinks the monkey is the Sultan.
[Abu is picking a pocket. He hears this and straightens up. Jasmine, playing along, kneels down and bows to Abu]
Jasmine: Oh, wise Sultan. How may I serve you?
Abu: Well, blah blah blah blah.
Aladdin: Tragic, isn’t it? [He leans forward, picking up another apple from the cart with his foot] But, no harm done. [He walks over to Jasmine] Now come along, sis. Time to see the doctor.
Jasmine: [to a camel standing nearby] Oh, hello, Doctor. How are you?
Aladdin: No, no, no. Not that one.

Jasmine: I want to thank you for stopping that man.
Aladdin: Uh, forget it. [He grabs a pole] So, uh, this is your first time in the marketplace, huh? [He pole vaults to the next building, leaving Jasmine behind]
Jasmine: Is it that obvious?
Aladdin: Well, you do kinda stand out. I mean, uh, you don’t seem to know how dangerous Agrabah can be. [He lays a plank between the buildings for her to walk over, but as he is leaned down, she vaults over his head. He looks back in surprise. She tosses the pole to him.]
Jasmine: I’m a fast learner.
Aladdin: Right. C’mon, this way.

Aladdin: Ah, provisos? You mean limitations? On wishes? Some all powerful genie – can’t even bring people back from the dead. I don’t know, Abu – he probably can’t even get us out of this cave. Looks like we’re gonna have to find a way out of here-
[They start to leave, but a big blue foot stomps down in front of them]
Genie: Excuse me? Are you lookin’ at me? Did you rub my lamp? Did you wake me up, did you bring me here? And all of a sudden, you’re walkin’ out on me? I don’t think so, not right now. You’re gettin’ your wishes, so siddown!

Genie: Thank you for choosing Magic Carpent for all your travel needs. Don’t stand until the rug has come to a complete stop. Thank you. Good bye, good bye! Thank you! Good bye! Well, now. How about that, Mr. doubting Mustafa?
Aladdin: Oh, you sure showed me. Now about my three wishes-
Genie: Dost mine ears deceive me? Three? You are down by ONE, boy!
Aladdin: Ah, no – I never actually wished to get out of the cave. You did that on your own.
Genie: Well don’t I just feel sheepish? All right, you baaaad boy, but no more freebies.
Aladdin: Fair deal. So, three wishes. I want them to be good. What would you wish for?
Genie: Me? No one’s ever asked me that before. Well, in my case, ah forget it.
Aladdin: What? No, tell me.
Genie: Freedom.
Aladdin: You’re a prisoner?
Genie: It’s all part-and-parcel, the whole genie gig. Phenomenal cosmic powers! Itty bitty living space.
Aladdin: Genie, that’s terrible.
Genie: But, oh – to be free. Not have to go “Poof! What do you need? Poof! What do you need? Poof! What do you need? To be my own master, such a thing would be greater than all the magic and all the treasures in all the world! But what am I talking about, here? Let’s get real here. It’s not gonna happen. Genie, wake up and smell the hummus.
Aladdin: Why not?
Genie: Theo only way I get outta this is if my master wishes me out. So you can guess how often that’s happened.
Aladdin: I’ll do it. I’ll set you free.
Genie: [Head turns into Pinocchio’s with a long nose] Uh-huh, right. Whoop!
Aladdin: No, really. I promise. [He pushes the nose back in and Genie’s head returns to normal] After I make my first two wishes, I’ll use my third wish to set you free. [He holds out his hand]
Genie: Well, here’s hopin’. [Shakes Aladdin’s hand] Okay! Let’s make some magic! [Turns into a magician.] So how ’bout it. What is it you want most?
Aladdin: Well, there’s this girl–
Genie: Eehhh! [Like a buzzer, and Genie’s chest shows a heart with a cross through it.] Wrong! I can’t make anybody fall in love, remember?
Aladdin: Oh, but Genie. She’s smart and fun and…
Genie: Pretty?
Aladdin: Beautiful. She’s got these eyes that just… and this hair, wow… and her smile.
Genie: [Sitting in a Parisian cafe with Abu and Carpet.] Ami. C’est l’amour.
Aladdin: But she’s the princess. To even have a chance, I’d have to be a – hey, can you make me a prince?

Genie: Tell her the… TRUTH!!!
Aladdin: No way! If Jasmine found out I was really some crummy street rat… she’d laugh at me.
Genie: A woman appreciates a man who can make her laugh! Al, all joking aside, you really oughtta be yourself.
Aladdin: Hey, that’s the last thing I want to be. Okay, I’m gonna go see her. I gotta be smooth, cool, confident. How do I look?
Genie: Like a prince.

Aladdin: I can show you the world
Shining, shimmering splendid
Tell me, princess, now when did
You last let your heart decide!

I can open your eyes
Take you wonder by wonder
Over sideways and under
On a magic carpet ride

A whole new world
A new fantastic point of view
No one to tell us no
Or where to go
Or say we’re only dreaming

Jasmine: A whole new world!
Aladdin: Don’t you dare close your eyes
Jasmine: An hundred thousand things to see
Aladdin: Hold your breath–it gets better!
Jasmine: I’m like a shooting star,
I’ve come so far
I can’t go back to where I used to be!

Aladdin: A whole new world!
Jasmine: Every turn a surprise
Aladdin: With new horizons to pursue
Jasmine: Every moment, red-letter

Aladdin: A thrilling chase
Jasmine: A wondrous place
Both: For you and me!

Jasmine: You are the boy from the market! I knew it. Why did you lie to me?
Aladdin: Jasmine, I’m sorry.
Jasmine: Did you think I was stupid?
Aladdin: No!
Jasmine: That I wouldn’t figure it out?
Aladdin: No. I mean, I hoped you wouldn’t. No, that’s not what I meant.
Jasmine: Who are you? Tell me the truth!
Aladdin: The truth? The truth… the truth is… I sometimes dress as a commoner to escape the pressures of palace life. But I really am a prince!
Jasmine: Why didn’t you just tell me?
Aladdin: Well, you know, um… royalty going out into the city in disguise, it sounds a little strange, don’t you think?
Jasmine: Not that strange.

Aladdin: Tell them the truth, Jafar! You tried to have me killed.
Jafar: What? Ridiculous nonsense, your highness. He is obviously lying. [He brings the staff close to the Sultan’s face.]
Sultan: Obviously… lying.
[Aladdin sees the staff with its glowing eyes.]
Jasmine: Father, what’s wrong with you?
Aladdin: I know what’s wrong!
[Aladdin grabs the staff and smashes it on the floor. Jafar flinches and the spell is broken for good.]
Sultan: Oh, oh, oh my!
Aladdin: Your highness, Jafar’s been controlling you with this!

Genie: Huzzah! Hail the conquering hero! [Turns into a one-man band. He sees Aladdin walk away with his head hung. He stops, scratches his head, comes up with an idea, then zooms over to Aladdin. He holds up his hands like a director scoping a picture and we look through them.] Aladdin, you’ve just won
the heart of the princess. What are you gonna do next? [Aladdin looks at him, then walks away in sadness to the bed, where he falls on it and sighs. Genie again is confused, then goes to him and pulls out a script labeled “Aladdin.”] Psst, your line is “I’m going to free the genie.” Anytime.
Aladdin: Genie… I can’t.
Genie: Sure you can. You just go “Genie, I wish you free.” [He grabs Aladdin’s head and uses him as a mock ventriloquist’s dummy. Aladdin pulls away.]
Aladdin: I’m serious. Look, I’m sorry – I really am. But they want to make me sultan – no! They want to make Prince Ali sultan. Without you, I’m just Aladdin.
Genie: Al, you won!
Aladdin: Because of you! The only reason anyone thinks I’m anything is because of you. What if they find out I’m not really a prince? What if Jasmine finds out? I’ll lose her. Genie, I can’t keep this up on my own. I can’t wish you free.
Genie: Hey, I understand. After all, you’ve lied to everyone else. Hey, I was beginning to feel left out. Now, if you’ll excuse me, master.

Genie: Al, I can’t help you – I work for senor psychopath now.
Aladdin: Hey, I’m a street rat, remember? I’ll improvise.

Jafar: Without the genie, boy, you’re nothing!
Aladdin: The genie! The genie! The genie has more power than you’ll ever have!
Jafar: What!
Aladdin: He gave you your power, he can take it away!
Genie: Al, what are you doing? Why are you bringing me into this?
Aladdin: Face it, Jafar – you’re still just second best!
Jafar: You’re right! His power does exceed my own! But not for long!
Genie: The boy is crazy. He’s a little punch drunk. One too many hits with the snake.
Jafar: Slave, I make my third wish! I wish to be an all powerful genie!
Genie: [reluctantly] All right, your wish is my command. Way to go, Al.

Jafar: Yes! Yes! The power! The absolute power!
Jasmine: What have you done?
Aladdin: Trust me!
[A black lamp appears at Jafar’s base. Jafar is busy conjuring.]
Jafar: The universe is mine to command, to control!
Aladdin: Not so fast, Jafar! Aren’t you forgetting something?
[Jafar looks down questioningly] You wanted to be a genie, you got it! And everything that goes with it! [Shackles appear on Jafar’s wrists.]
Jafar: No! No!
Iago: I’m gettin’ out of here! Come on, you’re the genie, I don’t want-
[Iago tries to fly away, but is sucked in with Jafar.]
Aladdin: Phenomenal cosmic powers! Itty bitty living space.
Genie: Al, you little genius, you!

Hermione Lodge (Riverdale): ESTP

Dominant Extroverted Sensing [Se]: Appearances are very important to Hermione. She wants to have the very best of everything, and provide a luxurious lifestyle for her daughter. She cares about money and status, which results in her dumping Fred, her high school boyfriend, and choosing to marry a wealthy man instead. Despite losing all of her money and her status, Hermione proves herself to be incredibly resourceful and adaptable once it’s all gone. Hermione is extremely opportunistic and her constant awareness of her environment allows her to see possibilities that she can benefit from. Hermione is impulsive and lives in the moment. She starts an affair with Fred Andrews while her husband is incarcerated, but fails to think of what will happen when Hiram gets out. She also forges Veronica’s signature without much concern for the possible consequences of her actions. Hermione tries to defend Hiram’s actions to Veronica. Yes, he hired the South Side Serpents to decrease the value of the land that Lodge Industries was hoping to acquire… but it was happening anyway! “He saw an opportunity and he took it.” Besides, it was going to happen anyway, so what does it matter if he made it happen a bit faster? Out with the old, in with the new!

Auxiliary Introverted Thinking [Ti]: Hermione tends to do whatever makes logical sense to her. She’s good at pointing out flaws in rationalization. When Veronica admonishes her mother for her parents lack of moral decision-making, Hermione points out that those decisions keep Veronica in designer clothing and allow her to live her extravagant lifestyle. Hermione is good at analyzing situations and coming up with the best way to get something done. She’s good at evaluating multiple variables to come up with what she considers to be the best solution, and prioritizes what solves the problem at hand over morality (forging Veronica’s signature on a document she refused to sign). Although she often feels bad for her actions, she doesn’t regret them. After telling Veronica that Hiram is the reason Ethel’s family lost all of their money (causing Manfred Muggs to attempt suicide), Hermione maintains a detached perspective of the situation (“It’s the risk of doing business with your father”). Hermione thinks of things from multiple angles, and usually does this internally, without sharing her plans (unless Veronica forces information out of her).

Tertiary Extroverted Feeling [Fe]: Although she has empathy and genuinely cares for others, Hermione can be emotionally manipulative. She uses her former relationship with Fred, as well as Veronica’s budding friendship with Archie to her advantage. Hermione uses Fred’s affections to get him to take her to the Drive-In, so she can slip off to pay the Serpents what Hiram owes them. She wants Veronica to use her friendship with Archie to try to convince him to talk to his father about selling his company to the Lodges. Hermione is good at diffusing conflict and making compromises to maintain peace. She is a skilled negotiator, and talked Principal Weatherbee into going easy on Betty and Veronica after the incident with Chuck. Hermione is friendly, kind, and allows Polly (a perfect stranger) to stay in her home and even hosts a baby shower for her. Hermione often wants to talk things out with Veronica and wants to know what she can do to fix things when they are at odds with one another. Hermione usually takes the high road when someone verbally attacks her, but she is fiercely protective of the people she cares about.

Inferior Introverted Intuition [Ni]: Hermione has trouble when it comes to thinking about the future. She begins her relationship with Fred not thinking about how it will effect Veronica if she discovers the truth, and doesn’t consider what Hiram would do to Fred if he found out, or what will happen when he’s released from prison. She doesn’t think about the potential legal trouble she could find herself in for forging Veronica’s signature. Hermione seems to generally believe that things will work themselves out one way or another.

Enneagram: 3w2 7w6 9w8 Sp/Sx


Hermione: Veronica.
Veronica: What the hell was that? I saw you with that biker guy, that Serpent. And don’t tell me you were just being polite.
Hermione: I was handling some unfinished business for your father.
Veronica: I’m gonna need more than that, Mom. Details, specifics.
Hermione: All right, then. Your father hired the Southside Serpents to help decrease the value of the drive-in’s land so he could purchase it at a cheaper price using an offshore LLC. What you saw was me paying them for a job well done.
Veronica: So Daddy’s the anonymous buyer? And he’s doing this from jail?
Hermione: He has an extremely long reach, your father. And he’s sunk every last penny that we have into this deal.
Veronica: So Dad really is-
Hermione: Dad is a businessman. He saw an opportunity, and he took it. And it was happening anyway. Old Riverdale’s dying. He’s just simply helping it along.
Veronica: But it’s wrong.
Hermione: Wrong? Well, did you like living at the Dakota with a Central Park view? Did you like your personal shopping account at Barneys? How about our family dinners at Jean Georges? Your Hermes?
Veronica: Those were just things, Mom-
Hermione: That was our life, Ronnie, provided to us by your father.

Veronica: Are you gonna leave Dad when he gets out of jail?
Hermione: Honey, why would you ask such a thing?
Veronica: I saw you, Mom. With Fred Andrews in the trailer.
Hermione: Oh, Veronica. Honey, I am so sorry that you did. But I want you to know that we’ve… We’ve never even kissed before. Until today.
Veronica: What about Dad? What happens when he comes home?
Hermione: I’m not sure. I’m so sorry, baby. It just happened, Veronica. And I know that this must be confusing.
Veronica: Yeah, it is.
Hermione: So, what can I do to help?
Veronica: You know what, Mom? There’s actually nothing.

Hermione: I know you’re not his biggest fan right now, but I was hoping you would sign it.
Veronica: Why would I need to sign it?
Hermione: When your father was arrested, we made you a legal officer of Lodge Industries. Surprise! And two out of three signatures are needed to award the contract, which your father wants to give to a less than legit outfit.
Veronica: And you want my help giving it to your boyfriend. I was gonna apologize to you. If I sign that, will you stop seeing Fred Andrews?
Hermione: Ronnie, I can’t agree to that.
Veronica: In that case, Mom, I’m sorry, but no. However you’re rationalizing what you’re doing with Archie’s dad, I don’t want any part of it.

Hermione: What do you want?
Veronica: For you to admit what you did.
Hermione: Fine. I kissed Fred Andrews.
Veronica: No, Mom, the other thing. It involves you forging my signature to get Fred Andrews that stupid contract to build on Dad’s land.
Hermione: Veronica, I asked you to sign that-
Veronica: You broke the law, Mom, and you used me to do it. When Daddy finds out, he’s gonna think I betrayed him.
He won’t, I will tell him.
Veronica: Really? When? Right now? Because I’ll cancel my plans for that.
Hermione: You know it doesn’t work that way.
Veronica: In that case, I’ll talk to you later, my friends are waiting.
Hermione: Ronnie, do not go out that door. Veronica!

Hermione: Veronica, there’s something that you need to know – about that Muggs girl.
Veronica: What?
Hermione: Her father, Manfred Muggs, invested with your dad. And it’s probable that they lost a lot when your father was arrested. Maybe everything.
Veronica: Mom, they’re being kicked out of their house, their home.
Hermione: Well, from what I’ve been told, the Muggs family is going to testify against your father.
Veronica: They should. How many, Mom? How many families like Ethel’s?
Hermione: It’s the risk of doing business with your father.
Veronica: Could Mr. Andrews lose everything, for doing business with you and Dad?
Hermione: I’m not sure.

Hermione: What’s all this?
Veronica: Dad’s files from the basement. Mom, Archie overhead Mr. Blossom say that he’s the one responsible for putting Dad in jail. So I did some digging. And found this spreadsheet of monthly payments from Blossom Maple Farms to Lodge Industries until about five months ago, when they stopped.
Hermione: When your father was arrested.
Veronica: There’s more. The payments, which are significant, by the way, have been happening for 75 years. That’s a ton of money. What if Clifford implicated Daddy to get out of paying the monthly fee? I wouldn’t put it past the wig-wearing monster. We should tell Dad’s lawyers.
Hermione: Well, hold on. If Clifford did orchestrate your father’s arrest, people might think that Hiram had something to do with Jason Blossom’s murder. Ronnie? You got to let this go.
Veronica: You don’t think Dad could, in any way, be responsible for Jason’s murder, do you?
Hermione: No, honey, look, don’t make things worse by asking questions that no one else is asking. And please, God, do not bring the Blossoms into this. And that includes Cheryl.

Hermione: You and Archie… Getting closer?
Veronica: Maybe, why do you ask?
Hermione: Your father and I made Fred an offer to buy out the SoDale contract, but Fred is still on the fence about it. I was hoping maybe you could talk to Archie. Maybe he could convince Fred to sell?
Veronica: Yeah, sure, Mom. No problem. I’ll just sexually manipulate Archie into doing my bidding.
Hermione: As long as you’re in control.
Veronica: Oh, my God, Mom, I was kidding. Also, why are you trying to push Fred out of this deal? He’s the only person in this town who was loyal. Who was good to you.
Hermione: Your father is coming back. He and Fred? They will not get along.

Fred: Hermione Lodge. Well, my day just got a lot more interesting.
Hermione: Hello, Fred. How are you?
Fred: Surprised. Can I get you anything? Would you like a water?
Hermione: A job. I saw on your website that you are looking for a seasonal hire, someone to help with the books?
Fred: Yeah, my guy’s on paternity leave.
Hermione: You know, I think my daughter’s going to school with your son, isn’t that funny? We’ll have to tell them that we knew each other, that we even dated, for a little while – Well, at least until I…
Fred: Chose the rich kid.
Hermione: And now, a reversal of fortune. How’s Mary doing?
Fred: She’s in Chicago. We split up. We’re civil. How about you? How are you holding up? Really?
Hermione: I have a little money saved. I was praying that someone in Riverdale, maybe an old friend, would be willing to give me the benefit of the doubt.
Fred: If it were up to me.
Hermione: Isn’t it up to you? It’s your company.
Fred: Well, I have clients. I can’t very well have Hermione Lodge, the wife of Hiram Lodge, on trial for fraud and embezzlement, balancing my books, can I?
Hermione: No. I suppose you can’t.

Veronica: You’re doing great, Mom. Better than me this week.
Hermione: Yeah, we’re surviving, Ronnie, by our wits, because that’s what we Lodge women do. If Dad could see us now.
Veronica: He’d say you look stunning in that new uniform.
Hermione: I’m going for this Joan Crawford, Mildred Pierce thing.
Is it working?
Veronica: Definitely.

Hermione: Cheryl, I went to school with your mother. She didn’t know the difference between having money and having class, either.

Fred: How’s the, uh, first day going?
Hermione: Um It’s your books, Fred. You only have enough in the bank to cover three more weeks of payroll.
Fred: I just don’t want to… I – I can’t let my guys go. Last time I fired someone, it was not good. I trust those guys, you know. They trust me. That’s worth everything.
Hermione: Yeah, but I mean… Even putting your business at risk?

Hermione: And Fred Andrews is escorting me to the drive-in, so all the pieces are in place.
Smithers: The drive-in with Fred Andrews?
Hermione: Yes. An attractive woman going with an old friend is less conspicuous than an old crone going alone.
Smithers: You’re not an old crone, Ms. Hermione.
Hermione: Of course not. That was a joke.

Gaston (Beauty and the Beast, 2017)

Dominant Extroverted Sensing [Se]: Physical beauty is very important to Gaston… particularly his own. He yearns for others to see him as impressive and attractive. Gaston wants to marry Belle because she’s the most beautiful girl in the village, which clearly makes her the <best. He is a very physical, sensory person and is quick to engage in combat. He is extremely aware of his environment and knows how to engage with it. He is a skilled fighter and all of the villagers look up to him. Gaston believes in what he can see, touch, and hear. There’s no such thing as magic but you will get eaten by wolves and starve. He revels in his status as a hero and doesn’t mind tasking risks. In addition to his fighting abilities, he also enjoys hunting, shooting, and drinking. Gaston enjoys a challenge, which is why he sets his sights on Belle. He doesn’t want something if it’s too easy. He lives for the thrill of the chase.

Auxiliary Introverted Thinking [Ti]: Gaston does whatever is logical to him. There’s no such thing as the Beast! You have to be mad to believe that a teacup can talk. Gaston’s decisions are completely detached and he doesn’t really care who gets hurt as a result. He pretends to go along with Maurice until Maurice refuses to give Gaston his blessing to marry Belle, and makes the decision to leave him out in the woods to get eaten by wolves so that he will no longer be around to care for Belle, which, in his mind, will force her to come running to him.

Tertiary Extroverted Feeling [Fe]: It’s easy for Gaston to manipulate the emotions of those around him. He refers to Lefou as his “favorite companion” and butters him up in order to get him to lie about leaving Maurice to the wolves. He is able to rile up the crowd by playing on their fears – he scares them into marching over to the Beast’s castle to slaughter him because he’s dangerous. He cares more about projecting a heroic image than actually being a hero. He chooses to make a show of going after the Beast instead of helping Lefou. He wants everyone to (literally) sing his praises and enjoys attention and admiration. Gaston is immediately able to see that the Beast is in love with Belle and uses this to torment her. You don’t really think she could ever love you, do you? Ha! When the Beast is getting ready to kill him, Gaston begs for mercy, but when the Beast grants it, he attacks him again.

Inferior Introverted Intuition [Ni]: Every action Gaston takes is part of his plan to make Belle his wife. Gaston is determined to make her his and stops at nothing to make that vision a reality. He doesn’t let her constant rejections phase him because he is certain that he will win her over eventually. However, his attempts to gain her favor are completely misguided and typically just push her further away. He’s able to quickly see the connection between the Beast and Belle and becomes singularly focused on destroying it.

Enneagram: 3w2 8w7 7w8 Sx/So


Gaston: Gaston: [horseback riding with LeFou; uses the telescope to see Belle] Look at her, LeFou. My future wife. Belle is the most beautiful girl in the village. That makes her the best.
LeFou: But she’s so… well-read! And you’re so… athletically inclined.
Gaston: I know. Belle can be as argumentative as she is beautiful.
LeFou: Exactly! Who needs her when you’ve got us?
Gaston: Yes. But ever since the war I’ve felt like I’ve been missing something. And she’s the only girl that gives me that sense of…
LeFou: Hmm… je ne sais quoi?
Gaston: I don’t know what that means.

Gaston: Picture it, LeFou. Rustic cabin, my latest kill roasting on the fire. Adorable children running around just as my love rubs my tired feet. And what does Belle say? ‘I will never marry you, Gaston.’
LeFou: You know, there are other girls.
[the Bimbettes sighs]
Gaston: A great hunter doesn’t waste his time with rabbits.

Gaston: I am done playing this game of yours. Where is Belle?
Maurice: The Beast took her and she…
Gaston: There are no such things as beasts, or talking teacups, or magic! But there are wolves, frostbite, and starvation!
LeFou: Deep breaths, Gaston. Deep breaths.
[Gaston breathes deeply, then turns to Maurice]
Gaston: So, why don’t we just turn around, go back to Villeneuve? I’m sure Belle is at home, cooking up a lovely dinner.
Maurice: If you think I’ve made all this up, then why did you offer to help?
Gaston: Because I want to marry your daughter!… Now, let’s go home.
Maurice: Belle is not at home! She is with the…
Gaston: [grabs Maurice] You say beast one more time, I WILL FEED YOU TO THE WOLVES!
LeFou: [tries to stop him] Gaston! Stop it. Breathe, think of happy thoughts, go back to the war, bloods, explosions, countless widows.
Gaston: Widows…
LeFou: Yes, yes. That’s it…
[Gaston calms down. LeFou taps his nose]
LeFou: That’s it.
[Gaston turns to Maurice, smiling. Maurice recoils]
Gaston: Maurice! Please forgive me, old bean. That’s no way to talk to my future father-in-law, now is it?
Maurice: Future father-in-law? You will never marry my daughter.
[Gaston furiously punches Maurice in the face, knocking him out]
LeFou: I saw that coming.

Gaston: If Maurice won’t give me his blessing, then he is in my way. Once the wolves come, there will be no one to take care of her but me.

Gaston: Maurice, you’ve become a danger to yourself and others. No wonder Belle ran away.

LeFou: Gaston… help…
Gaston: Sorry, old friend. It’s hero time.

LeFou: [singing] No one’s slick as Gaston, no one’s quick as Gaston / No one’s neck is incredibly thick as Gaston / For there’s no man in town half as manly / Perfect, a pure paragon / You can ask any Tom, Dick or Stanley / And they’ll tell you whose team they prefer to be on! / Who plays darts like Gaston? Who breaks hearts like Gaston? / Who’s much more than the sum of his parts like Gaston?
Gaston: [singing] As a specimen, yes, I’m intimidating!
LeFou: [singing] My, what a guy, that Gaston!

Gaston: Hello, Beast. I’m Gaston. Belle sent me… Are you in love with her? Did you honestly think she’d want you?

Gaston: [to D’Arque] Stand guard, don’t let them escape.
[to the villagers]
Gaston: This creature will curse us all, if we don’t stop him!
[the villagers uproar]
Gaston: Well, I say we kill the Beast!
[the villagers cheer]

Gaston: [to his reflection] You are the wildest, most gorgeous thing I’ve ever seen! Nobody deserves you…

Ashley Marin (Pretty Little Liars): ESTP

Dominant Extroverted Sensing [Se]: Ashley tends to make impulsive, short-sighted decisions in the interest of protecting her daughter and keeping her household afloat. She is attracted to luxury and is always impeccably dressed. She understands the importance of physical appeal and makes sure to get Hanna the best of everything. If Ashley sees an opportunity to get herself or her daughter out of trouble, she takes it. After Hanna is caught shoplifting, she begins a sexual relationship with a detective in exchange for him helping to get the charges against her dropped. When her home is nearly foreclosed on, she steals a large sum of money from a customer’s bank account (who never touches her money and only comes in once a year) in order to keep her house.

Auxiliary Introverted Thinking [Ti]: When there are a number of options to choose from, Ashley is good at seeing which course of action would be the most efficient. Ashley does what makes sense to her, and she rarely explains her actions unless she is explicitly questioned about them. She doesn’t discuss her actions aloud and her process is a private one that she doesn’t like to share. She’s logical and tends to think about situations objectively. When a problem arises, Ashley needs time to think about things on her own in order to decide what to do about it. When the money in the lasagna box goes missing, she requests silence from Hanna and goes off on her own to think. She is good at scanning her surroundings (Se) and using her observations to come to logical conclusions (such as realizing that Caleb has been living in her house).

Tertiary Extroverted Feeling [Fe]: Because Ashley understands the importance of social status in high school, she provides Hanna with everything she could ever need to be popular. She is afraid of what other people might think of her and her family She hates having to tell people about what happened between her and her husband because he left her and she dislikes how that makes her look to others. She doesn’t want anyone to find out about Hanna’s indiscretions because a shoplifting scandal will have people talking. People don’t forget things like that in Rosewood, so it’s important to maintain a good reputation. What other people think of you matters. She cares very much about her own image, as well as her daughter’s. Ashley knows how to manipulate the people around her when she needs to, and is willing to make morally ambiguous decisions (such as sleeping with Wilden) in the interest of protecting both her child, as well at her reputation. Ashley goes out of her way to welcome Emily into her home when she moves in after her mother moves to Texas to be closer to her father. She is inviting, accepting, and generous. Ashley is empathetic and good at relating to other people. When Byron comes over just after his separation from Ella, he is disheartened to learn that everyone on the street knows about what happened between them. However, she remains nonjudgmental, and opens up about her own experiences following her divorce from her husband.

Inferior Introverted Intuition [Ni]: When Ashley is backed into a corner, she doesn’t pay very much attention to the possible consequences of her actions. She just does whatever she needs to do in the moment, and usually deals with the fallout after the fact. She is driven by the need to protect herself and her daughter at all costs, and will do whatever she needs to do in order to make sure they are taken care of. She wants Hanna to have a good future and does whatever it takes to ensure that. Ashley’s instincts are often very good and she can tell when people are being dishonest with her.

Enneagram: 3w2 Sp/Sx


Ashley Marin: It’s only a felony if they find out.

Ashley Marin: Just because somebody hurt us once doesn’t mean we have to permanently delete them from our phonebook. Things change, people grow.

Ashley Marin: I will crush anyone who tries to hurt you.

Ashley Marin: In a small town like this, what people think about you matters.
Hanna: I know.
Ashley Marin: Then why would you risk it all to steal a pair of sunglasses? Hanna, I buy you everything you need to be popular.

Ashley Marin: This is about your father, isn’t it? You think this is going to get is attention.
Hanna: I made a mistake.
Ashley Marin: In Rosewood, you don’t have room to make a mistake. And neither do I.
Hanna: I’m sorry. I’ll fix it somehow.
Ashley Marin: You will deny you did anything wrong. It was a misunderstanding.
Hanna: But-
Ashley Marin: I’m taking care of it.

Ashley Marin: Hanna, compassion.
Hanna: I have it, just not in the morning.

Ashley Marin: When they find the maniac who did this to you, I will kill him. After I kill him, I will sue him.

Ashley Marin: I don’t take sides. I know that things are never black and white.

Ashley Marin: I want you to feel comfortable being yourself, understand?
Emily: Yeah, I do.

Ashley Marin: Hanna, I know when you’re being dishonest with me before you even start talking.

Sarah Manning (Orphan Black): ESTP

Dominant Extroverted Sensing [Se]: Sarah is constantly scanning her surroundings for potential. Her first instinct after watching Beth commit suicide is to steal her purse and run. She seizes the opportunity in front of her. Sarah goes to Beth’s apartment, does her hair like Beth’s, dresses in her clothing, mimics her accent, observes her behavior from video footage she finds of her, and learns to forge her signature. When she requests a large sum of money from Beth’s bank account, she’s told she can’t withdraw that much immediately. Noticing the trophies behind the teller, she asks if she can expedite the process by sponsoring his next charity run, to which he agrees. Sarah is extremely resourceful and street smart. She destroys the magnetic strip on Beth’s bank card so she can replace it at the bank. When Paul returns from his trip and begins an uncomfortable line of questioning, Sarah distracts him by initiating sex so she doesn’t have to continue the discussion. Sarah has a keen awareness of her environment and knows how to use what she notices to her advantage. She tends to react to things physically and she can be very violent. When Sarah asks Alison to teach her how to shoot, she picks it up quickly. Her reflexes are very good, too. While following a lead at an apartment, Sarah notices a person watching from outside with a gun, and pushes Art onto the ground just as the attacker shoots. When Helena tries to kill her later, she’s able to keep her talking just long enough to grab a nearby rebar and impale her with it.

Auxiliary Introverted Thinking [Ti]: When Sarah is in a bind, she is very good at analyzing her situation and coming up with the best solution. Her process is internal, though. She doesn’t think aloud. When Felix points out Sarah can only take over Beth’s life for so long, since Beth’s body will eventually be identified, she becomes very quiet, thinking intensely. When he continues to talk, she tells him to shut up and that she’s thinking. She sees the news report about Beth’s suicide on television as she’s contemplating the situation and is struck with the perfect idea: She’ll have Felix identify the body as her, leaving her free and clear to continue impersonating Beth. When a man pulls her into his car, she has no idea who he is or what’s going on, but she notices a paper in his car with the name “Arthur” on it, and remembers that someone named “Art” has been calling Beth. She instantly realizes this is the same person and casually refers to him as “Art” which allows her to evade suspicion (Se-Ti). When “Beth” isn’t to return to work, Sarah meets with her therapist. When she hears the therapist talk about how Beth claimed to be “glitched” and how she was “missing herself”, she successfully gets the therapist to change her ruling after threatening to speak out about how she was prescribing Beth a lot of medication, which Beth may have been high on at the time of the shooting that she was suspended for.

Tertiary Extroverted Feeling [Fe]: Although Sarah isn’t a particularly emotional person, she is good at picking up on other people’s feelings and using them for manipulation. She knows how to turn on the charm to get what she needs from people, and can tailor her approach to the specific person she’s trying to manipulate. Though she isn’t very direct with her feelings, she does care about the people in her life very much, especially Kira and Felix. Sarah is also pretty good at slipping into the lives of her clones when she needs to impersonate them. When she impersonates Alison to interrogate Donnie, Sarah admonishes him for the way he’s speaking to Alison (even though she’s torturing him). She’s fiercely protective of the people she cares about and will do whatever it takes to keep them safe from harm.

Inferior Introverted Intuition [Ni]: Sarah lives moment to moment and doesn’t have a clear plan for her future. She survives, and that’s about it. Once she discovers the clones, she begins to utilize her inferior function more frequently. Although she initially toys with the idea of just taking Alison’s money and running off with Felix and Kira, she can’t. She understands that there’s a bigger picture. When it comes to protecting the people she cares about and getting to the bottom of who she really is, Sarah can be extremely goal-oriented. When Sarah and the rest of the Clone Club come up with plans, Sarah is good at remaining on target and not getting sidetracked.

Enneagram: 8w7 Sp/Sx


Siobhan Sadler:: I’ve seen your elaborate ruses and guises before, but how do you do this, how do you fake your own demise beneath a train?
Sarah: Wouldn’t you rather know why?
Siobhan Sadler:: I don’t care to know why.
Sarah: Because I saw a way to dump Vic and get out of that life and get away with Kira.
Siobhan Sadler:: Ha! Take her on the run with you? Brilliant. New clothes and a Jaguar do not a mother make.

Sarah: Bloody Mrs S. She’s right.
Felix: Really?
Sarah: What kind of mother am I if I snatch my own daughter?
Felix: A crap one, I agree.
Sarah: And if I rob Alison, run now and never tell my…
Felix: Clones?
Sarah: Oh, God, we do have to find another word for that.

Alison: This one’s some kind of lowlife grifter! How do we know she didn’t push her?
Sarah: Oi! I already told you… I didn’t want to be her. I got stuck! I was running from my own shit.
Alison: [Alison sarcastically replies] I can only imagine.
[Sarah punches Alison for pointing a gun at Felix]
Sarah: You point a gun at my brother again, I will kick the living shite out of you!

[Dr. Bower tells Sarah she’s unfit for duty as Sarah argues back]
Dr. Anita Bower: By your own admission of blackout or psychotic break, I can’t recommend you for duty.
Sarah: That’s not going to work for me.
Dr. Anita Bower: I understand, you’re a cop, but this is my job.
Sarah: Can you read that back again? That, um, ‘I’m missing myself. I glitched.’ Does that sound stoned to you?
Dr. Anita Bower: ‘Glitched’ sounds stoned?
Sarah: Tweaked, gakked, spun. Ahem! Allevia, Superprax, Draxifil. What’s the difference between a mood stabilizer and an antipsychotic, again?
Dr. Anita Bower: Beth…
Sarah: Oh, no, I’m sorry, I’ve been confused. I mean, it’s very confusing. Um… Antidepressants, antianxieties, SSRIs. Serotronax… That one’s a stimulant.
Dr. Anita Bower: We have known each other for a while, now, Beth…
Sarah: Yeah? That’s where you’re wrong.
Dr. Anita Bower: You have constantly tested me with your personal appeals for prescriptions.
Sarah: I know. My bad. So I’ll just explain to the board that I shot this poor civilian after mixing up all your overlapping scrips. Or am I making progress?
[Sarah smiles]

[Sarah shows Felix the $75,000 she took out of Beth’s bank account]
Felix: Is this evil twin’s money?
Sarah: Yeah, $75,000 in cash. That’s enough to lose Vic, lose the twin-sister weirdness, just somewhere safe with my daughter. Is that so much to ask?

Sarah: I do have one really idiotic idea.
Felix: Oh, good.
Sarah: I need to be in two places at once, yeah?
Felix: Yeah…
Sarah: Well, if anybody can do that, we can.
Felix: Are you effing serious?
Sarah: Yeah, suddenly, I am.

Sarah: Look, Art’s already looking for the killer. I shadow him as Beth, I let them figure out what’s happened to her, and then, when I find that out, I can jump off and deal.
Felix: ‘Deal’? I’m beginning to realize crazy’s genetic.

Sarah: Something really weird just happened at the train station.
Felix: What?
Sarah: I saw a girl kill herself.
Felix: Ew! A jumper?
Sarah: Yeah, and she looked exactly like me, Felix.
Felix: What you mean?
Felix: Oh! You robbed her body.
Sarah: No, she left her bag on the platform.
Felix: Isn’t that essentially robbing her body?

Sarah: I’m going to shoot Paul’s balls off.
Cosima: Wait, just, um, just squeeze them, ok? He’s our way into this whole thing.

Sarah: [Sarah sits with Kira] You’re so independent, aren’t you? Hmm, monkey? Little monkey?
Siobhan Sadler: Remind you of anyone?
Sarah: Yeah, but I was much angrier, wasn’t I? Even small. You were the one who introduced me to punk rock, though.
Siobhan Sadler: Yeah. You took all of the attitude, none of the politics.

Sarah: He’s a bastard.
Felix: Who?
Sarah: Paul. Beth loved him, but he wouldn’t love her back and he wouldn’t leave her.
Felix: Mm. Well, he’s certainly changed his tune now, hasn’t he? Sarah, he’s falling for you.
Sarah: God, what a mess.

Sarah: Of all the things that scare me right now, Fe, this one’s the heaviest.
Felix: You know she can’t wait to see you, right?
Sarah: Yeah, thanks. She’s the only thing that really matters, you know?

Sarah: [Sarah tells Paul that he’s a mole and killed the woman who loved him] You’re a plant, and she killed herself because the man that she loved turned her whole life into a lie. She knew you didn’t love her and she couldn’t understand why you wouldn’t leave. And, now, she figured it out.
Paul:[Paul holds his gun on Sarah] This isn’t true. It’s a sick test. Isn’t it? Isn’t it?
Sarah: She trusted you. How could you do that to her?
Paul: You think I had a choice?
Sarah: Just tell me why.
Paul: They don’t tell us why.

[Donnie is questioned by Sarah who’s impersonating Alison]
Donnie: [Donnie hears the voices of the neighbors] The whole neighborhood is here? What kind of irrational nonsense is going through that head of yours?
Sarah: Hey, watch your tone, Donnie!
Donnie: Alison, get your frazzled, PMS shit together!
Sarah: Hey! You watch your tone! Your wife is the rock of this family! You will no longer speak down to her! Am I clear?
Donnie: Yeah.

Paul: I’m not doing any of this by choice.
Sarah: Right, so, they forced you to be Beth’s monitor for two years, without ever knowing why.
Paul: You’re some kind of hustler. You understand leverage, right? The difference is, you chose to infiltrate Beth’s life, to screw her boyfriend, right on this counter.
Sarah: And you weren’t even you.
Paul: And you weren’t you, either.

Vic: So, you faked your own death so… You could move on to a new scam, hmm? Who are you now, Sarah? Sarah, it must be so confusing.
Sarah: You have no idea.

[Sarah tries to convince the drinking Alison that Donnie is not her monitor]
Sarah: Look, Paul’s military. He’s a professional. You’ve known Donnie since, what?
Alison: High school.
Sarah: Right, high school, yeah? So how could he be your monitor?

Art: Sarah, my partner killed herself. I didn’t see it coming. Help me. Help Beth. I know you care.
Sarah: There’s a reason we look exactly the same, Art.
Art: Okay.
Sarah: [Sarah starts to cry] Why the prints match, and the DNA’s all screwed up. But you have to promise to protect me and my daughter.
Art: I will. If that’s what you need, I promise.

Sarah: I just want to know who I am.
Siobhan Sadler:: You’re still you. Remember that. You’re a survivor.

Cosima: Sarah, what are you going to do? Walk into the Dyad with a gun and just start shooting people? I mean…
Sarah: Yeah.

Malia Tate (Teen Wolf): ESTP

Dominant Extroverted Sensing [Se]: Because Malia lived as a coyote for so many years, she is extremely physical. She leaps right in without pausing to think about consequences. Malia lives in the moment. She doesn’t get hung up on the past, nor does she stress over the future. She’s aware of her surroundings and is always on alert. If Malia has a violent urge, she’ll usually just act on it, but as she adapts to being around humans again, she slowly learns to control her animalistic instincts. While other people are trying to figure out a plan of attack, Malia is already knocking people out and getting stuff done. She doesn’t have patience for strategizing, she just prefers to dive right in.

Auxiliary Introverted Thinking [Ti]: Malia has no desire to be in charge, lead, or organize her external environment. She figures out what makes sense to her and makes decisions from there. She’s curious as to why things are the way they are, and tries to understand and question things. Malia tends to blurt out offensive comments. She’s not very sensitive to the feelings of the people around her, and often doesn’t even realize that what she’s saying is offensive because of her lack of social awareness. She has no concept of tact. Malia doesn’t let her feelings influence her decisions and does whatever she considers to be rational. She’s also good at picking up on when people aren’t being logically consistent and has no issue pointing it out to them.

Tertiary Extroverted Feeling [Fe]: This function is very underdeveloped for Malia because she spent so much of her life on her own and didn’t get to interact with people or socialize. Although, at first, Malia only cares about Stiles, she eventually develops relationships with the entire pack, becoming less detached and more protective of all of them, as opposed to just Stiles. However, Malia tends to show that she cares by fighting for her friends or defending them when they’re being threatened (Se-Fe). She doesn’t like to talk about her feelings (but she is able to verbalize her fondness for Stiles), though she is getting better at articulating things and expressing herself in healthier ways. The more she interacts with people, the more group-minded and selfless she becomes. She also improves at being able to sense the emotional states of other people. Malia adapts to other people’s morals and adopts them as her own. She doesn’t kill because Scott says “we don’t kill people.” However, when she feels that killing is the rational option, she says so, but doesn’t act on it because she knows how the rest of her pack would react.

Inferior Introverted Intuition [Ni]: It’s hard for Malia to think ahead or plan for the future. She can be goal-oriented, such as her desire to save Stiles or rescue Lydia. When the group has an objective, Malia can focus on that and typically uses her Se to get the job done. Occasionally, Malia uses what she observes in her environment (Se) to form conclusions about things. She notices the bite on Stiles’ shoulder and correctly assumes that he was responsible for Donovan’s death.

Note: Keep in mind, Malia spent a good chunk of her life as a wild animal, so she’s extremely unhealthy and her functions are a little wonky. A lot of people write her off as Te/Fi and type her as ESTJ or ESFP. Her Se is definitely dominant, though. I see why people could type her as ESFP, but I see a stronger case for auxiliary Ti than tertiary Te. She doesn’t have a strong moral code or any intense values and her sense of logic comes from within.

Enneagram: 8w7 Sp/Sx


Scott: Guys, look– back to Tracy. She’s just one lone wolf. We can find her.
Malia: One lone serial-killing wolf.
Stiles: Uh, she only killed one person, you know. The other two were mauled, alright? What do we do when we catch her?
Malia: I say we put her down.
[They all look at each other. Scott is visibly against this plan, Stiles nods in agreement with Malia, while Kira, Lydia, and Liam seem at a loss for options. Mason looks at them all with interest and nods solemnly]
Mason: Intense.

Stiles: If Theo’s parents are both psychotic killers, then obviously, we should not trust him, right?
Malia: …My parents are Peter and the Desert Wolf…

[Kira is discouraged due to her failure at every practice try of siphoning electricity, and Scott gives her a pep talk]
Scott: I know you can do this. [He looks at the others] Anyone here think she can’t?
[When no one speaks, Scott gives them a frustrated look, and the others start to give Kira reassuring expressions]
Liam: Not me!
Stiles: I was the one who put you in the plan.
[They all look at Malia, who remains silent for a long moment before finally replying]
Malia: What?
Stiles: [whispers] “I believe in you, too, Kira!”
Malia: I’m the one who’s going to be locked in an electrical room with her!
[They all give Malia a look, and she sighs and turns to Kira]
Malia: You can do it.
Kira: You guys are all crazy. We’re gonna die.

Malia: Kira, nothing’s happening.
Kira: I’m aware of that. I don’t want to lose control, because I’m afraid I might fry the entire system.
Malia: Stop worrying about what you might do. This isn’t about you, or me– it’s about Lydia. We’re here to save Lydia. We’re here to save our friend.

[Malia and Braeden are arguing over whether or not their plan to catch the Desert Wolf is a trap]
Malia: I’m not walking away on a maybe.
Braeden: And I’m not walking in on so much uncertainty.
Malia: You said you’ve been after her for years.
Braeden: And why do you think it’s been years? Because she knows what she’s doing. She took Scott’s boss for a reason. We don’t know what it is. We don’t know if she’s back in Beacon Hills because she missed you all this time and can’t wait for a mother-daughter reunion, or if she’s planning to put a bullet in your head. We don’t know anything.
Malia: We know one thing– we know where she is. I’m going in. I have to.

[Malia has just dropped Stiles off at the Sheriff’s station so he can talk to his dad]
Malia: Are you going to tell him about Donovan?
Stiles: [shocked] You knew?
Malia: I guessed. I saw the bite on your shoulder while you were sleeping. It didn’t matter to me. That’s why I never said anything.
Stiles: [sighs] It matters to me.

Malia: Can they fix it?
Stiles: There’s not enough duct tape in the world to fix that thing.
Malia: Maybe you should find something other than duct tape.
Stiles: It’s got a bad alternator. You know, needs all new belts, transmission’s going, the brake pads are basically metal on metal…
Malia: How come you let it get so bad?
Stiles: There’s been a few distractions, if you haven’t noticed.
Malia: I notice. More than you think I do.

Malia: I don’t know, Stiles. I mean, I see why you’re worried. He’s really hot! He’s got like, great hair, a perfect body… You should definitely feel threatened…
Stiles: Thank you! Because I do. Now more than ever.
Malia: You want me to torture him?
Stiles: No, I don’t want you to torture him!
Malia: I’m pretty sure I can take him.

Stiles: Who speeds? People trying to get away from something!
Malia: Well, how many tickets do you have?
Stiles: None!
Malia: How many would you have if your dad didn’t get you out of them?
Stiles: …Seventeen.

Peter: You worried about Stiles?
Malia: I’m worried about everyone.
Peter: Do I need to be worried about you? We have to go through the berserkers to get to Kate. Then, we have to go through Kate to get to Scott and Kira. Trust me, it’s going to get messy.
Malia: Scott says we don’t kill people.
Peter: You think Scott wouldn’t kill to save Kira? Would you kill to save Stiles?

Peter: You’re trying to stay in control?
Malia: Trying to stay human.
Peter: That’s exactly your problem. Scott has you thinking that control and humanity are the same for us. Now, let me give you some fatherly advice. If you’re gonna face something as animal as a berserker and try to win, you need to focus on the animal inside you. You’ll need every ounce of ferocity and savagery you can muster. You’ll need it.

[Deaton is examining Tracy as she lays unconscious on his table at the animal clinic. Malia, Scott, and Stiles watch him and brainstorm]
Malia: Uh, can’t you just give her a shot of something?
Dr. Deaton: She doesn’t look to be in any pain…
Malia: I meant a shot to kill her!

Kira: Something’s happening.
Malia: I know.
Kira: What do we do?
Malia: Blend in!
[Kira looks confused]
Malia: Dance with me, dumbass!
Kira: Oh.

Kira: We already looked for a way out. I think a lot of people have.
Malia: I say, when that door opens again, we take out whoever’s standing in the way and run for it.
Kira: What about Lydia?
Malia: What about her?
Scott: We’re not leaving without her.
Malia: Why not?
Stiles: Because we don’t leave without people. Remember, we talked about this? The rules of the wild kingdom don’t apply to friends.
Kira: Is that what you would do as a coyote? Leave her for dead?
Malia: If she was weak and injured, yeah. If hunting had been bad that season, I would eat her! Then, I’d leave.
Stiles: Mmm. Believe it or not, that’s progress.

Scott: What are you doing here?
Malia: I heard you were coming to talk to Peter. And, since Lydia tells me he’s basically Satan in a v-neck, I figured you shouldn’t be alone.

Scott: We’re going to use the boathouse for Liam. It’s got support beams, we can chain him to one of them.
Kira: But how do we get him out to the lake house if he doesn’t trust us?
Stiles: I say if it keeps him from murdering someone, we chloroform the little bastard and throw him in the lake.
Malia: [raises hand] I’m in!

Stiles: Hey. Where have you been?
Malia: Talking to Peter.
Stiles: Okay. You think that’s a good idea?
Malia: If he can help me find my mother, I don’t think I care.

Malia: Try to remember I’m a werecoyote that murdered her own family. I won’t judge. I promise.

Stiles: Just breathe, okay. I’m not going to leave you.
Malia: What if I hurt you?
Stiles: You’re not going to.
Malia: But I want to. Uh! I look at your face and I want to slash at it. I want to tear at it. I want to feel your bones crack between my hands.
Stiles: Surprisingly enough, you’re not the first person to ever say something like that.

Nathan Scott (One Tree Hill): ESTP

Dominant Extroverted Sensing [Se]: Nathan is a natural athlete and the star of the Tree Hill High basketball team. One of the first things we see Nathan doing is stealing a school bus for a joyride with his teammates. He’s impulsive and lives in the now. Nathan often makes choices that he later regrets because he lacks the foresight to think about how his actions will impact him later. When he’s depressed about Haley leaving, he visits some relatives and drives race cars for fun. When the race is over, Nathan continues driving, going faster than he’s supposed to and crashes the car. During the school shooting, Nathan realizes that Haley is still in the building and goes in after her. When Lucas asks him if he has a plan, he simply says, “Yeah, I’m going to the tutor center and I’m gonna get Haley.” Lucas criticizes him for going up against a gun with a baseball bat, but Nathan doesn’t care. On the day of his wedding, Nathan and Haley are nearly in a collision with Cooper and Rachel. The limo they’re in goes off the bridge and into the water and, without hesitation, Nathan jumps in after them, saving both of their lives. While Nathan and Haley are having money problems, Nathan turns to a loan shark named Daunte, who is willing to give him money if Nathan agrees to shave points, which Nathan initially does. When he’s asked to throw the State Championship, he agrees, but in the moment, changes his mind and the Ravens win the game. Nathan fails to consider how Daunte might retaliate afterward. Daunte tries to hit Nathan with his car, but Haley sees and pushes him out of the way, and she gets hit instead. Nathan runs to the car, pulls Daunte out, and brutally beats him. While at a bar celebrating Nathan’s new shoe deal, fans of a rival team begin taunting him. He almost walks away, but when they bring Haley into it, he defends her honor and gets into a fight, which leads to Nathan getting thrown through a glass window, temporarily disabling him and effectively ruining his basketball career. When Jamie is missing, Nathan jumps in front of a police car to get them to stop and help, nearly getting himself killed. He sees opportunities and acts. If someone he loves is threatened, he reacts, usually without giving himself time to think.

Auxiliary Introverted Thinking [Ti]: If something makes sense to Nathan, he does it. Nathan perceives Lucas to be a threat and comes up with what he judges to be the best way to keep him from taking his life. Nathan gets to the point and expresses himself clearly and concisely. He does whatever he believes to be the best course of action. Nathan often thinks that he knows the best way to handle something, and can become stubborn once he reaches his own logical judgment about a situation, shutting out the thoughts and opinions of the people close to him.

Tertiary Extroverted Feeling [Fe]: When he was younger, Nathan used his Fe to get under people’s skin. He knows how to play on feelings to get a rise out of people (particularly Lucas). Nathan is charming and can get people to like him if he wants them to. When he first pursues Haley, he does it to upset Lucas, and he gets her to play right into his hands. He can be sweet, complimentary, and thoughtful when he wants to be. As he grows, Nathan begins to use this function in healthier ways. He becomes selfless, putting others and their welfare before himself. He also gets better at expressing his feelings, especially as his relationship with Haley progresses and he falls in love for the first time. His Fe develops even further when he becomes a father. He wants to help the people he cares about and becomes a shoulder for the people in his life to lean on. He is supportive, generous, and takes care of his loved ones. Nathan is fiercely protective and will spring into action if someone hurts his friends or family (Se-Fe).

Enneagram: 8w7

Inferior Introverted Intuition [Ni]: Nathan knows that he wants to someday join the NBA and he works towards this goal throughout high school and college until he makes it a reality. However, due to his often reckless behavior, he has major setbacks because he fails to consider his long-term objective when he acts on his impulses. He sees a future for himself and Haley and he looks forward to spending the rest of his life with her. At times, Nathan can lose sight of his vision for his future and get sidetracked, but once he regains his motivation, he works tirelessly to make his dreams come true.


Nathan: You have one chance, one life, and what you do with it is up to you.

Cop 1: What the hell are you doing?
Nathan: My son is missing.
Cop 1: Right, calm down. You could’ve got yourself killed!
Nathan: We just left the wedding okay, all the guests are gone and my son missing. He’s four and a half years old.
Cop 2: Have you been drinking sir? Maybe been to the reception?
Nathan: What kind of question is that? ‘Have I been drinking?’
Cop 2: You need to listen to me…
Nathan: No you listen to me! My name is Nathan Scott okay? My father is Dan Scott, he was arrested for murder, okay? He’s a bad guy and he was here today. Now either one of you two idiots gets on your radio right now and finds my son or I’ll knock you both out and I’ll do it myself!

Chris: Ah! Stop hitting me!
Nathan: Stop kissing my wife!

Nathan: You know what? Tragedies happen. What are you gonna do? Give up? Quit? No. I realize now that when your heart breaks, you gotta fight like hell to make sure you’re still alive. Because you are. And that pain you feel? That’s life. The confusion and fear, that’s there to remind you that somewhere out there is something better. And that something is worth fighting for.

Brooke: Hi, Nate. Come in. It’s a tough day, huh?
Nathan: Yeah.
Brooke: I wish there was something I could do for you or Haley or Jamie.
Nathan: Well, actually we were wondering if there’s anything we could do for you.
Brooke: How do you mean? Why me?
Nathan: We know that your mom has been pulling some stuff with the company, and I don’t know, I guess having dealt with parent insanity I wanted to check your head. See how you’re doing.
Brooke: I’m fine. Really.
Nathan: That sounds like something I would say. Look, this thing with losing Quentin, it-it’s hard. And I have a feeling its gonna be a pretty prominent thing in our lives for a while, but that doesn’t mean that your problems are any less important, that all of us aren’t here for you.
Brooke: Look, like I said…
Nathan: You’re fine. You can handle it. Its all good. Look, I hope that’s true and maybe it is but the thing is, the two of us have been down very similar roads. We were in the same cliques first, we both felt the same pressures, the same expectations. Our parents were like children and we both grew into kind of bad versions of ourselves way too fast. So I think you know I get it.
Brooke: They never really gave us a chance did they? Our parents?
Nathan: They didn’t know how. Look, the thing is, you made your dream happen, alright? And even though I didn’t quite get there, when it was taken away from me I dealt with it alone. That was stupid, selfish, and wrong. So if your mom tries to take your dream away from you and you feel the same pain I did, I’ve sorta been there, okay? And I’m gonna be kind of pissed off if you don’t come talk to me about it. Anyway, thank you for coming today. It means a lot. I know you didn’t know Quentin, but it doesn’t surprise me that you’re thinking of other people when all this stuff is going on with you. That’s not bad for a girl who never had a chance. Come here.
[Nathan and Brooke hug]

Haley: I need to know that you’re going to let me in, Nathan. I mean, all the way.
Nathan: I will, okay. I’ll – I’ll let you in if that’s what it takes, I’ll let you in. It’s just… sometimes I’m afraid that if I do, you’ll see the real me. The guy I was before you. And I’m not proud of that person, okay; the one that I used to be. But if I have to be that guy to keep you safe, then that’s who I’m going to be. Look, if you want me to apologize for defending you, or for fighting back when somebody hurts you, then I can’t do that – I won’t do that, okay because the truth is: that’s a guy I’ll never be; a guy that just stands by and watches while the world hurts you. Can you understand that?

Nathan: It’s the oldest story inn the world. One day you’re planning for someday. And then quietly and without you ever really noticing someday is today and then someday is yesterday and this is your life.

Nathan: Every choice you make shapes your future.

Nathan: People just go through things, challenges that make them stronger.

Nathan: I am the kid, Hales and I’m sick of dealing with my parents’ problems. If it’s not my dad with a restraining order, it’s my mom with a glock. They’re unbelievable. My one saving grace. My one way out is if I play halfway decent in these playoffs, I can get a scholarship and I can get the hell away from both of these lunatics. Should my mom have a gun? No! But am I going to let her stupidity or anything else stand in the way of my dreams? Not a chance.

Damon Salvatore (The Vampire Diaries): ESTP

Dominant Extroverted Sensing [Se]: Damon lives in the moment. He tends to just act without really bothering to consider the consequences of his actions. He’s a doer. Why sit here talking about doing something? Damon makes his own opportunities. He is energized by danger, adventure, and thrills and he tends to engage in a lot of high-risk behavior. He’s impulsive and will rip someone’s heart out in the heat of the moment without pausing to think about the domino effect it will have. Damon enjoys sensory pleasures, such as drinking, sex, and dancing. He likes to look good and takes great pleasure in being “the eternal stud.”

Auxiliary Introverted Thinking [Ti]: There are many times where Damon resists his Ti, resulting in needlessly reckless, careless behavior. Damon isn’t really the think-out-loud consult-with-others type. If he thinks of a course of action, he charges in. He doesn’t need feedback from others and he doesn’t care about their opinion. His reasoning trumps theirs. He’s adept at noticing logical inconsistencies and often points them out in humorous ways. He’s good with analyzing situations. Damon doesn’t care about leadership, accomplishing goals, or organizing his environment, but if the need arises, he can think his way out of the situations he gets himself into.

Tertiary Extroverted Feeling [Fe]: If Damon wants to get inside someone’s head, he usually taps into his tertiary function to play on their feelings. He’s good at manipulating people and is in tune with their emotional states, but tends to use this knowledge as a way to amuse himself. Though Damon conceals it, he does care what people think of him. He doesn’t like having to live up to other people’s expectations of him, so it’s easier to not be thoughtful or considerate, because then he doesn’t have to disappoint anyone. He can show compassion at times, and more so as his character develops. While Rose is dying, he goes into her mind, allowing her to “feel” the sunlight on her skin one last time. Conversely, he also uses this tactic to hurt Stefan, by giving his brother a nightmare where Damon is biting Elena. Typically, though, Damon is quite careless when it comes to the feelings of other people and though he can easily recognize their emotions, he can be quite indifferent to their pain. He has a hard time dealing with his own, and usually has violent reactions after tragedies occur in his life. When he believes Enzo has been killed, he shuts off his humanity and vows to track down every member of the Whitmore bloodline and kill them. Damon can be very charming and he’s able to use his charisma to get information out of people (particularly women). As Damon begins to grow and change, he becomes much more open, considerate, and caring, nearly unrecognizable from the violent, selfish person we’re first introduced to.

Inferior Introverted Intuition [Ni]: While it’s true that Damon can fail to see how his actions will have a ripple effect, he can have flashes of insight, which aid in his various manipulation tactics. When Damon takes the time to stop and think, he can actually formulate solid plans (though sometimes circumstances prevent him from actually achieving his goals). He’s determined to get Katherine out of the tomb and does what he needs to do to “rescue” her. When Elena or Stefan are in trouble, he’s able to keep his mind on the big picture for the most part, though sometimes his Se impulsiveness can compromise his main objective.

Enneagram: 7w8 Sx/Sp


Damon: You can’t just sit there and wait for life to come to you. You have to get it.

Damon: You have to engage. You can’t just sit there and wait for life to come to you, you have to go get it.

Elena: Why don’t you let people see the good in you?
Damon: Because when people see good they expect good. And I don’t wanna have to live up to anyone’s expectations.

Elena: Right… I forgot that I was speaking to a psychotic mind who snaps and kills people impulsively. Fine. Go ahead. Do whatever you want.
Damon: You’re trying to manipulate me.
Elena: If by ‘manipulate’, you mean, tell the truth, ok… guilty.

Damon: I kissed you. Thought you kissed me back. Doppelganger hijinx ensued. How do you think I’m doing?
Elena: I think that you’re hurt.
Damon: Mmm… no I don’t get hurt Elena.
Elena: No, you don’t admit that you get hurt. You get angry, cover it up, then you do something stupid.
Damon: You’re scared. You think Katherine’s gonna send me off the deep end don’t ya? I don’t need her for that. You know what? Why is it such a surprise that I would kiss you?
Elena: That’s not a surprise. I’m surprised that you thought I would kiss you back.
Damon: Now I’m hurt.

Vicki: You did this to me out of boredom?
Damon: It’s one of the pitfalls of eternity.

Alaric: You killed me.
Damon: You pissed me off.
Alaric: You killed me!
Damon: Ric, no hard feelings, alright? I was on a bit of a tear, everyone was trying to tell me how to behave.
Alaric: Maybe they finally realized you’re just a dick.

Stefan: Are you actually gonna be careful for once?
Damon: Yes Stefan, I’ve become you. How tragic for both of us. Gotta run. Have a murder to plan.

Damon: Since Stefan got here before me, I’m gonna let him try it his way before I resort to my way, which is a little bloodier.

Damon: You went on a murderous rampage. It happens.

Damon: It’s cool not growing old. I like being the eternal stud.

Bonnie: You tried to kill me.
Damon But I didn’t, and if I wanted to I would have. Does that not count for anything?”