Rebekah Mikaelson (The Vampire Diaries/The Originals): ESFJ

Dominant Extroverted Feeling [Fe]: Emotional expression comes easily to Rebekah. She has no problem telling people exactly what she’s feeling. Most of her choices tend to come from her emotions and she can easily sense them in other people. Sometimes, she gets enjoyment out of toying with other people’s feelings and hurting them emotionally. She is very sensitive and her feelings are intense. Rebekah is loyal to Klaus no matter what, even when his interests conflict with her own, which sometimes causes her to make sacrifices for his sake. She wants to be liked, but she also has no trouble putting people in their place when she feels she’s been wronged. Rebekah can be extraordinarily empathetic and put aside her own feelings for someone else’s sake, such as when she gives Marcel what he needs to save Sofya once she realizes he is acting from a place of love. Even though it hurts her to see him love someone else, she admires his motives and wants to help him. Rebekah is good at mediating in conflicts. When Marcel and Klaus are fighting, she reminds them that they need to work together and tries to get them to bury the hatchet. Rebekah’s morality is external. She has spent a lot of time being selfish and putting herself and her family first, but she admires Matt’s morality and he inspires her to be better, causing her to latch onto him.

Auxiliary Introverted Sensing [Si]: Traditions are important to Rebekah. She’s the one who suggests reviving their family’s bonfire ritual. She enjoys reminiscing about happy times. Because she’s a vampire, Rebekah never had the opportunity to have a normal life and missed out on having human experiences. She wants to be able to try to live her life as a human. She wants to go to school and have a prom. She wants to be a cheerleader. Rebekah wants to fit in and be liked, but resorts to compelling people to be her friend because that’s the familiar way of doing things for her. She wants to be able to find true love, settle down, and have children and it kills her that she’s unable to, which is why she was so motivated to get the cure. She tends to have trouble letting go of her past romances and forgives her family for all of their crimes because they have centuries worth of history together. She has a strong connection to her past and can vividly recall details from events that occurred decades ago. She has a lot of resentment towards Klaus for everything he’s put her through over the years, but is simultaneously fiercely protective of him and loyal. When she speaks of his crimes against her, no matter how long ago the incident took place, she feels it so strongly that you would think it only just happened. Rebekah takes some time to adjust to the world after spending so many years unconscious. She doesn’t immediately embrace the latest styles and is quite appalled by the current trends in fashion and music.

Tertiary Extroverted Intuition [Ne]: Rebekah likes to travel and enjoys adventure. Though she always returns to her family’s side eventually, she wants to get out into the world and experience things. Rebekah is good at sensing people’s true intentions and motivations. She knew that Damon was only trying to distract her at the bonfire. She was able to deduce that Klaus wanted the cure for Elena and brought Stefan over because Klaus knew that Stefan would help him find it, even though Stefan hates Klaus. She’s also skilled when it comes to thinking of inventive ways to accomplish her goals. When Elena runs into the section of the cave that vampires can’t enter, Rebekah shows up with a cannister of gasoline, which she begins to pouring onto her. She tells Elena that she can either come out of the cave or burn to death. When she and her siblings find the caravan filled with clothing, it is Rebekah who suggests stealing them and posing as the victims because they were en route to a nearby castle. Rebekah likes to bring a touch of creativity into her schemes. She compels Elena, Caroline, and Stefan and forces them to sit in a classroom and answer her questions. However, because she is a romantic who yearns for love and acceptance, she can sometimes fail to see the signs that she’s being manipulated. Rebekah can be a bit of an idealist at times and always hopes for a better future for herself and her family.

Inferior Introverted Thinking [Ti]: When Rebekah feels attacked, or if the people she loves are threatened, Rebekah can be quite brutal. She can be good at assessing situations and using her findings in arguments, or to isolate the best solution to a problem. If Elena doesn’t want to come out of that cave, Rebekah will just threaten to set her on fire if she doesn’t. Sometimes, Rebekah is capable of being detached and cold in order to protect her loved ones, which leads her to make very heartless choices, such as causing Matt and Elena to drive off of the bridge, or contacting Mikael, knowing he would run Klaus out of New Orleans so that she would be free to be with Marcel.

Enneagram: 2w3 (I can’t really narrow down an instinctual variant because they honestly all seem pretty prominent in her)


Rebekah: Elijah, being a human means a fresh start. I can grow old and have a family and fill my days with meaning, knowing that each one matters.

Rebekah: Go right ahead. Laugh at the girl who loved too easily. But I would rather have lived my life than yours, Nik. No one will ever sit around a table telling stories about a man who couldn’t love.

Rebekah: [preparing to leave] I’ve lived a lot longer than you have, Marcellus. I have seen kings rise, and fall, but there is one thing I know to be true. It is that no matter how matter how big your empire becomes, it is nothing if you have no one to share it with. You want New Orleans? Have it. I won’t be here to stop you.

Klaus: What is it you want, Rebekah?
Rebekah: The same things I’ve wanted since I was a child. I want a home. I want a family. I want someone to love me, and I want to live.

Rebekah: Nik, you do not need me anymore. I know that I’m your favorite sibling and of course I adore you, but there is space in my heart for something more. I want love, I want a family of my own and wouldn’t it be nice if we could part on happy terms for once. No daggers, no exile, just so long for now I’ll see you again soon.

Klaus: I love my family. You, Elijah. I loved all of you. I know I can be difficult, but I did not make myself this way. It was Mikael who ruined me.
Rebekah: He ruined me, too. That’s what you forget. Centuries later, each of us is broken. You with your anger and paranoia. Me with my fear of abandonment. And poor Elijah; he dedicates himself to everyone but himself. We are the strongest creatures in the world and yet we are damaged beyond repair. We live without hope but we will never die. We are the definition of “cursed”… Always and forever.

Klaus: …Fierce Rebekah, willing to risk everything on the chance that she might one day find happiness…

[Rebekah is looking through a rack of clothing while Stefan leans against the doorframe.]
Rebekah: The colors, the fabrics…The eighties were just…tragic. You know, I think shoulder pads rival 17th-century puritan smocks for crimes against fashion.
Stefan: Looking for something to wear to the dance?
Rebekah: Aye. Are you asking me to a date?
Stefan: Actually, it was canceled.
[Stefan walks farther into Rebekah’s room, and she is clearly upset.]
Rebekah: So why are you here? Back for more dagger talk?
[Stefan laughs.]
Stefan: Somebody has some trust issues.
Rebekah: It’s called a healthy skepticism. I know you were trying to sneak out this morning. I’m not stupid.
Stefan: Sorry, I’m…I’m still trying to get used to this.
Rebekah: Do you regret it?
Stefan: No.
Rebekah: Do you want it to happen again?
Stefan: Maybe.
Rebekah: Even if I don’t give you the dagger?
Stefan: You think that I would sleep with you just to get the dagger?
Rebekah: Don’t give me that innocent look. You’ve done plenty to me in the name of getting what you want. Well, I guess I should pack up these racks. Just another failed attempt at getting to a high school dance.
Stefan: Why do you care so much about a high school dance?
Rebekah: I don’t. I was just bored.
Stefan: Right. Well, we can still go, if you want.
Rebekah: Not if it’s canceled, we can’t.
Stefan: Since when do you care about the rules?

Rebekah: Funny. So is everything about the eighties so…excessive?
Stefan: It had its charm. “Say Anything” – Lloyd Dobler standing outside of a bedroom window with a boombox over his head, desperately trying to get back the girl of his dreams; “Princess Bride” – Wesley slays giant rats for love; “The Breakfast Club” – one detention turns a bunch of outcasts into allies.
Rebekah: So it was a decade of sentimental drivel, as well?
Stefan: Well, I was going to say love, friendship, the possibility of anything happening. You would’ve loved it.
Rebekah: [smiling] And why is that?
Stefan: Because as much as we both hate to admit it, we care about those things.

Rebekah: Go ahead, take it. You’re right. I do care. I want stupid koala corsages and a prom. I want to have kids with someone who loves me enough to stand outside my window with a stupid boombox. I want to be human. So let Klaus put down my brother. Let’s go find the cure.

Rebekah: Name me a more human experience than senior prom.

Elijah: Rebekah, it’s no secret that you are impulsive, emotional, and at times morally questionable. Prove to me this isn’t just another one of your whims, that you know precisely what you are giving up here.

Matt: You haven’t seen Bonnie, have you?
Rebekah: She’s probably in the bathroom. Every other girl is. And if you haven’t noticed, I am sitting here all on my own. So, please, will you put me out of my misery and dance with me?
Matt: I don’t think so.
Rebekah: Matt, please. This is a girl’s worst nightmare. Please? I thought about what you said, about being good, and you’re right. It won’t be easy, but it’s worth trying.
Matt: I don’t understand why my opinion is so important to you.
Rebekah: Because you’re everything that I want to be. You’re loyal, honest, kind. People root for you to succeed. Elena even died for you.
Matt: I’m a bus boy, Rebekah, okay? It’s not like I’m out saving the world.
Rebekah: But you’re human. You’re so beautifully human.

Matt: April, April, come on, please wake up! April, come on! Please wake up!
[Rebekah comes in.]
Rebekah: Matt, why did you call– Oh, my god.
Matt: Can you feed her your blood?
Rebekah: Can’t we just call 911 or something?
Matt: She’s dying. Please help her!
Rebekah: I can’t. If I heal her with my vampire blood, Elijah won’t give me the cure and I won’t get to be human.
Matt: How is this even a choice right now? You want to be human? Prove it, be good, do the right thing and save her life.

Rebekah: Right. You’re that werewolf girl my brother, Klaus, knocked up. I was expecting to see some kind of supernatural, miracle baby bump. Guess you’re not showing yet. It’s Hayley, isn’t it?
Hayley: You have your brother’s manners.
Rebekah: And his temper, too, so watch it. Where’s Elijah?

Rebekah: Do you think I want to spend what could be the last few hours of my life having idle chit-chat with a girl who literally stabbed me in the back? Of course not. But for some reason, everybody seems to want to bend over backwards to save your life, which is incredibly annoying, but makes you the perfect hostage. So, why don’t you sit down and shut up before I ruin everything by ripping your head off.

Rebekah: I suspect he just needs to be asked nicely.

Klaus: Dear sweet April Young. Now, there’s a girl with a future.
Rebekah: She was dying, and I acted with human decency. You can’t get more human than that.
Klaus: Actually, you can. You can stand idly by as poor April takes her final breath. You can ask, “Why does this always happen to innocent people? Where do the spirits go? Was there anything I could have done?” That is what it means to be human, sister. You give humanity too much credit.
Rebekah: You’re gonna tell Elijah?
Klaus: No. No. You are.

Rebekah: Is that what it is? You are once again worried that you will be left behind? Has history taught you nothing? We don’t abandon you, Nik. You drive us away!

Elijah: I’m not trying to impress the girl.
Rebekah: Well I should bloody hope you are. Why else are we out here? Come on, Elijah. You’ve fallen for her. Admit it. It may do wonders for the stick that’s lodged up your enduringly stoic ass if you did.

Rebekah: I was the one who brought him to New Orleans because of your wickedness! I wanted love and happiness, and you denied me the freedom to have either. Yes, I hated and I was afraid of our father, but he was a lesser evil than you. My bastard brother who loomed over me, threatening me as you are now. I wanted rid of you, and given the choice, I’d do it again!

Rebekah: It’s bonfire season! And I am reviving a family tradition! Especially since we’re all going to be together.

Rebekah: Well, we’re just missing a key ingredient!
Klaus: No, we’re not.
Rebekah: Yes, we are, Nik! Back me up, Elijah!
Elijah: I suspect Niklaus would rather choke on the ashes.
Hayley: What are you all talking about?
Rebekah: Well, before we light it, we write down our wishes for each other to burn for luck! It was Kol’s favorite part when we were kids!
Klaus: It’s further evidence as to why we should ignore it!
Hayley: Hope’s first bonfire season. I like it! We’re doing it!

Rebekah: Do you still love Stefan?
Elena: Yes.
Rebekah: Are you still in love with Stefan?
Elena: No.
Rebekah: [to Stefan] Did that hurt? Having someone you love drive a dagger through your heart.
Stefan: Go to hell.
Rebekah: Did… that… hurt?
Stefan: Yes.
Rebekah: Welcome to the last 900 years of my life.

Rebekah: There has to be more to this dress.
Klaus: There’s not.
Rebekah: So, women in the 21st century dress like prostitutes, then. You know, I got dirty looks for wearing trousers.
Klaus: You wore trousers so women today could wear nothing.

Rebekah: Why don’t you just give me the cure so I can judge you silently elsewhere.
Elijah: And what could you possibly want with the cure?
Rebekah: I want to be human again.
Elijah: How do you know that being human is the answer you’re looking for? I mean, it’s nothing but a romantic notion. The grass won’t necessarily be greener, Rebekah.
Rebekah: You might be right. But I don’t care. I want to live a simple life as a normal person and when it ends, it ends. We’ve had 20 lifetimes together, Elijah. Isn’t that enough?
Elijah: I just don’t understand. I mean, why must you always consider our family a burden? “Always and forever.” I mean, those words are as important to me today as they, as they ever were.
Rebekah: You will always be my brother and I will never stop loving you, but now it’s time for me to live and die the way that I choose. Not the way you and Nik want me to. Please. Please just give me the cure.

Main Character Syndrome & MBTI

I’ve been thinking a lot about why certain characters can seem impossible to type. Sometimes, it can be really difficult to type a character when the writers haven’t really taken the time to give them a concrete personality. I notice that this seems to happen a lot with main characters specifically, which seems ludicrous, doesn’t it? I mean, if we’re watching a show, we’re supposed to root for the main character. We should feel as though we have a sense of who they are. However, many main characters are very poorly written. They’re defined in terms of what happens to them. We know them by their situation and their story. But their story isn’t who they are. Often, I find that their cognition will change in order to suit a storyline, which seems to happen less with supporting characters. Supporting characters tend to be very solid in terms of cognition, while main characters are all over the place and contradictory. I find it frustrating because it’s lazy.

I am starting to believe that certain characters can’t be typed. If you can see arguments for nearly every function in a character, then sure, you can try to narrow down which ones they use most frequently and pull a type out of that, but in the next episode, you’ll probably doubt yourself or change your mind. If you find yourself in this situation, it’s probably not you. It’s likely more of a reflection of the author/screenwriter than it is of your typing abilities. I’m going to run down some specific examples of this problem off the top of my head.

Elena Gilbert: Man, Elena is rough. I’ve seen her typed as an ISFJ, INFP, ISTJ, INFJ, etc. The only thing people seem to agree on is that she leads with an introverted function. I would have to agree with that. I will say that I see more Si/Ne than Ni/Se. However, she’s extremely damaged, which may make it more difficult to type her. If you look at her life prior to losing her parents, she seemed very different, so how much of what we see is her true self and not muddied by all of the tragedy in her life? Elena is so inconsistent. She’s a giant ball of contradictions. I think a lot of people stereotype her, and, I can’t say that I fully blame them for that because there’s not a lot else to really go on. I can make arguments for both Fi and Fe, but if I were being forced to make a call one way or the other, I would probably go with Fi. Where Fi is in her functional stack… I really couldn’t say at this point in time.

In the six seasons that Elena was on the show, she really wasn’t developed very well at all. It seems that the writers relied too heavily on what other people do to her and what happens to her and not enough on defining who she is. She’s probably the best example of “Main Character Syndrome” that I can think of. She lost her parents. She’s a piece of meat in an alley and the Salvatore brothers are a couple of stray dogs. She’s a doppelgänger. Elena is a Mary Sue. I was never really able to root for her because, after six years, I honestly never really felt like I knew anything about her other than those facts. She’ll do anything to protect the people she cares about, but that’s not really a defining trait. As a matter of fact, that’s probably true of most people. She prioritizes the people who are close to her over strangers or people she doesn’t know very well. It’s hard to analyze her character and pull a personality type out of it when she’s just kind of all over the place.

Lucas Scott: Lucas is usually typed as an NF, most often INFJ or INFP. I’ve watched all of One Tree Hill more times than I can count over the years and I still find myself wavering on whether Lucas uses Fi or Fe. He can appear to use both functions at different times. He sometimes clings to his moral judgments and can become extremely critical of those who fail to measure up, but he is also good at articulating his feelings and giving speeches about them, and has ideas about the way things “should” be. I think that I see more Fi in him than Fe. I have a theory that when he appears to use Fe, it’s actually Fi. Lucas has strong ideas about the kind of person he is (or wants to be), and because he sees himself a certain way, he can take on some stereotypical Fe traits. Lucas cares about people and, for him, it is important to express that to them. I don’t think he expresses himself because he feels that’s the appropriate thing to do. I think he does it because that’s the sort of person he wants to be. It’s not really for other people’s sake, it’s for him. He wants to live up to his own personal ideals. However, when I try to look for the Te, there is virtually none in him. Honestly, I see a stronger case for Ti in him than Te. But, he obviously can’t be both Fi and Ti. Maybe I’m wrong. Maybe his morality isn’t decided internally. It’s really difficult for me to decide one way or another. As I’m writing this, I’m thinking of certain instances and going, “Oh, you know, maybe he is Fe after all.” I can’t make a call either way with any real certainty, so for now, I won’t.

Now… is he Ne-Si or Se-Ni? This is an even bigger struggle for me to lock down than Fi-Te/Fe-Ti. Lucas has an appreciation of symbolism and he’s extremely insightful. He can see people for who they are and has inherent understandings about things. I don’t really see Ne in him but I do see Ni. I can see a case for inferior Se in him, but is he really Ni-dom? And, if he were Ni-dom, he would have to be an INFJ, and I’m not ready to label him Fe just yet. He’s definitely not an INTJ. If he uses Te at all (which is a big “if” for me), then it would be low in his stack. I can’t come up with a single function that he absolutely, undoubtedly uses.

Aria Montgomery: Beyond being an Fi-dom, what other functions does Aria really use? There really isn’t enough evidence to support Se, Ne, Si, or Ni. She’s defined by her relationship with Ezra, but her personality is pretty bland. She’s “artsy.” I’ve seen people use her interest in writing and photography as support for both Ne and Se, which is weak and stereotypical. She makes stupid short-sighted decisions sometimes, like having an affair with her teacher, but I don’t feel like that’s evidence of Se. I’m sure you can find Ne users who have, or would be willing to have a sexual relationship with a teacher. Doesn’t mean they’re not Ne. A repeated argument I see to “support” INFP is her love of old movies as though no Se in the world enjoys older films. All of the reasonings I’ve seen have been extremely superficial and weak. I believe this to be a result of people desperately trying to fit her somewhere, when, in reality, she is just a poorly written character. Spencer, Hanna, Emily, and Alison are all reasonably fleshed out characters. I’ve never seen Hanna typed anything other than ESFP. Spencer is mostly typed ENTJ, but I have seen the occasional ESTJ, but the general consensus does seem to be ENTJ. I’ve never seen Emily typed as anything but ISFJ. I’ve never seen Alison typed as anything other than ENFJ. This isn’t because everyone jumps on the same bandwagon. It’s because there’s evidence and consistency. Aria, on the other hand, is defined in terms of her relationships and what happens to her. Is there really more to her than that?

Dawson Leery: Sort of like a less tolerable late ’90s Lucas Scott. I see him typed as INFJ or INFP, just like Lucas. I can’t justify him being Ni-dom, though. I lean towards INFP for him because he has that strong moral code and a tendency to chastise anyone who violates it. He can be so judgmental with people when they make decisions he disagrees with. Dawson sees a lot of things as black and white. He can also be pretty selfish with his emotions. And I can see a stronger case for inferior Te than inferior Se. If someone were to ask me what type I think he is, I would probably instinctively say INFP, but if I were asked to explain why, in any kind of detail, I would probably be at a loss.

Sam and Dean Winchester: Ugh, Sam and Dean. I love them to death, but they give me such a headache when it comes to MBTI. I’ve mostly seen Sam typed INFJ, INTJ, and INTP. I definitely think that he’s a Fe-user, and I don’t think it’s inferior, so I’m more inclined to subscribe to the INFJ typing, but I’m still trying to gather enough evidence to actually do a post for him. A lot of people think he’s Fi because he carves out an individual identity from his family away from hunting, but I don’t think that argument is strong enough. Fe-users are capable of doing that. Leaving home and carving out a new life for himself could stem from Ni instead of Fi. Though, there are also times I think he might use Si instead of Ni. All of the “evidence” I’ve seen in the various typings for him that I’ve read seem flimsy and like they’re really just trying to make something fit him, so as of right now, I don’t really know anything for sure when it comes to Sam. My opinion varies episode to episode.

I see Dean mostly typed as ESTJ, ESTP, and the most ridiculous one in my opinion, ESFJ. I believe that he’s definitely Fi/Te, so I don’t think that he’s an ESTP and definitely not an ESFJ, but I’m not completely sold on him as a Te-dom, either. I’ve always been mostly torn between ESTJ and ESFP for him. I think a big problem with the Winchesters is that Supernatural has been on the air for so long that their personalities seem to go through a lot of changes over the years. Maybe it has to do with different writers coming on, I’m not really sure. They’ve also been through a lot and are far from healthy, which makes things pretty difficult as well.

Klaus Mikaelson: ENTJ or ESFP? Most days, I will declare Klaus an ESFP with absolute certainty, but every now and then I find myself watching an episode of The Originals (or an old episode of The Vampire Diaries) and second guess myself. My problem with him is that I see more of a case for dominant Se than dominant Te… but I notice more signs of inferior Fi in him than inferior Ni. I’m going to have to launch a massive character study to determine his type once and for all because he drives me crazy.

Ted Mosby: I sometimes see him typed as an INFJ, but the main argument in those typings seems to be his long-term goal of getting married, as though that can’t also be true of a Si-dom. Does his goal come from doing what is traditional and expected of him (Si) or because that is simply the vision he has for his life (Ni)? What is his motivation? There are sometimes cases to be made for inferior Se in him, though. I’m actually pretty evenly split on Ted. Let’s take the story that he’s telling his kids. Very detail-oriented. Very specific, vivid memories (which he sometimes tends to remember subjectively rather than objectively). However, he sees how all of these memories are connected to build a larger, overall picture and has a strong concept of symbolism. He’s future-focused and has a clear visual of the life he wants for himself, yet he is also hung up on the past and tends to hold onto old relationships instead of moving forward (Karen, Victoria, Robin). He even keeps all of the stuff he has received in his past relationships in his apartment because they remind him of specific experiences. He’s both a realist and an idealist. He’s grounded and his head is in the clouds. Past-focused and future-oriented. Out of every character I’ve had to decide between Si and Ni for, Ted probably gives me the most trouble.

I’m currently rewatching episodes of One Tree Hill and Pretty Little Liars in order to definitively type Lucas and Aria. After that, I’m going to try to tackle Elena and Klaus… and then the Winchesters. Ted will probably come sometime after that. Dawson is probably going to take a while, because while I loved Dawson’s Creek, I don’t know if rewatching the series is actually worth sitting through Dawson himself. I consider him to be one of the most insufferable television characters in history, so, while I find the show entertaining and I like the other characters, I always have a heavy feeling when I consider watching it again because he just annoys me to no end.